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This client envisioned a kitchen that felt like “her first kiss under the most beautiful sunset,” with the bold desire for a black kitchen. The brief was to create a space that felt both intimate and social, with a modern Art Deco aesthetic.

To bring this “sunset” to life, literally no stone was left unturned to find the perfect quartzite splashback to set the scene. Warm white lighting with no power point cutouts enhanced the elegance. A live-finish copper detail was introduced for a dramatic complementary colour palette.

As the copper naturally patinas and teals, it starts to blend with the stone, like how a relationship evolves from that ‘first kiss.’

Copper handles, shaker-style cabinetry, and fluted posts on the island grounded the space in Art Deco sophistication. Seating invites guests to engage, while consistent bench heights, strategically placed cooktops/sink, and a natural flow from left to right ensure effortless transitions between work zones.

The clients preferred the fridge and pantry at opposite ends. The exclusion of a microwave and ceiling down lights was intentional.

This client envisioned a kitchen that felt like “her first kiss under the most beautiful sunset,” with the bold desire for a black kitchen. The brief was to create a space that felt both intimate and social, with a modern Art Deco aesthetic.

To bring this “sunset” to life, literally no stone was left unturned to find the perfect quartzite splashback to set the scene. Warm white lighting with no power point cutouts enhanced the elegance. A live-finish copper detail was introduced for a dramatic complementary colour palette.

As the copper naturally patinas and teals, it starts to blend with the stone, like how a relationship evolves from that ‘first kiss.’

Copper handles, shaker-style cabinetry, and fluted posts on the island grounded the space in Art Deco sophistication. Seating invites guests to engage, while consistent bench heights, strategically placed cooktops/sink, and a natural flow from left to right ensure effortless transitions between work zones.

The clients preferred the fridge and pantry at opposite ends. The exclusion of a microwave and ceiling down lights was intentional.

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